The follow-up to "Men in Black" is generating substantial revenue but falling short of its predecessor's international and domestic performance. It's common for franchises to debut with less momentum in subsequent installments before experiencing rapid decline.

This pattern emerged clearly during the previous weekend when the sequel captured $9.8 million across 889 screens in Britain, including preview screenings—slightly underperforming the inaugural film. Contributing to this softness was demographic overlap with "Austin Powers in Goldmember," which saw a 43% drop following its explosive debut yet still earned $4.9 million over the weekend and an impressive $20.1 million across 10 days.

The science fiction comedy did surpass its original in certain territories. Sweden saw receipts of $960,000 on 104 screens, including previews, while Holland generated $772,000 on 110 screens—claiming the top position in both nations. The Smith-Jones partnership delivered a robust $535,000 on 207 screens in India (positioned behind local phenomenon "Devdas") and $309,000 on 90 screens in Poland.

Overall, the extraterrestrial adventure accumulated $18.4 million from 5,300 screens spanning 47 territories, pushing its cumulative total to $128.4 million. Sony's production has demonstrated solid endurance in Germany, collecting $24.3 million through its third weekend (declining 33%), though Japan's $22.6 million falls considerably below projections. With France, Spain, Italy and several additional markets remaining, projections indicate a final tally exceeding $200 million.

Gibson's 'Signs' Sparks

"Signs" launched its international journey impressively in Taiwan, an action-favoring territory where thrillers aren't guaranteed successes. Gibson's vehicle generated $496,000 on 18 screens, capturing 60% of the top ten titles' revenue, outperforming "The Sixth Sense's" launch by 10% and "Unbreakable" by 30%.

"Scooby-Doo" attracted nearly 1.9 million admissions at 3,306 screens across 27 territories, generating $9.4 million to elevate its cumulative total to $70.5 million. Warner Bros.'s family offering earned $2.5 million on 470 screens in Mexico, representing the distributor's second-largest opening ever there following "Harry Potter and the Sorcerer's Stone."

In Germany, "Scooby" captured a more modest $1.6 million on 613 screens. The computer-animated/live-action mystery has accumulated a lucrative $24.6 million through its fourth weekend in Britain and a respectable $9.2 million during the same period in France, where it remarkably maintains the top position.

Across various territories, "Scooby" and "Ice Age" are creating fierce competition for "Stuart Little 2," which is underperforming compared to its predecessor. Sony's animal adventure collected a respectable $1.6 million on 124 screens in South Korea, with previews, and $943,000 on 339 screens in sluggish Spain, securing first place. The follow-up consumed a solid $509,000 on 50 screens in Hong Kong, $298,000 on 54 screens in Peru and $207,000 on 45 screens in the Philippines.

Illustrating its vulnerability, "Stuart" dropped 43% in its second weekend in Mexico as "Scooby" arrived, earning $1 million over the weekend and a solid $4.6 million across 10 days. The rodent narrative captured $6.6 million on nearly 2,500 screens in 15 territories, raising its total to $24.7 million. Britain's $9.7 million through its fourth weekend (declining just 7%) represents a healthy outcome, while Japan's $4.2 million is underwhelming.

'Age' Thawing

"Ice Age" premiered in Japan, its penultimate major market with South Korea remaining, with a tepid $1.6 million on 458 screens. This trailed "Star Wars: Episode II — Attack of the Clones," which rose to $45.1 million in its fourth weekend, and the third weekend of domestic animation "The Cat Returns." "Ice" cumulative reached $166.4 million while "Clones" surpassed its domestic performance to $298.9 million.

"Minority Report" led in Brazil, registering $1 million on 338 screens (Fox's fifth largest debut) and Venezuela with $232,000 on 65 screens (the distributor's third best) but placed fourth in India with $224,000 on 70 screens. Cruise's futuristic thriller declined by merely 9% in South Korea, earning an excellent $8.1 million across 10 days. Cumulative climbed to $64.5 million in 22 territories, headlined by Britain's $26.1 million.

Following $23.5 million in its home territory of Britain, the Grant/Collette drama "About a Boy" attracted a strong $1.5 million on 224 screens in Australia, including previews, leading in a quiet weekend.

Woo's "Windtalkers" entered the Philippines at number one with $332,000 on 88 screens, but faltered in Germany and Australia. Overshadowed by "Signs" in Taiwan, the Cage military drama plummeted 67% but has still captured a respectable $1.2 million in nine days.

Beginning its international run, domestic disappointment "Eight Legged Freaks" generated a lackluster $861,000 in sluggish France and a fair $212,000 on 60 screens in Switzerland.

What are the Harry Potter Movies about and Where to Watch

The Harry Potter film series chronicles the magical adventures of the titular character and his friends as they confront the dark wizard Voldemort. For those wondering where to watch harry potter, the movies are widely accessible on major subscription services and for digital rental. Availability can vary by region, but these platforms typically offer the complete saga for streaming.

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