Broadway experienced a vibrant surge last week, with numerous shows attracting impressive audiences and strong box office numbers. Highlights included productions like Dog Day Afternoon, Proof, Schmigadoon!, and The Rocky Horror Show, which either sold out or came very close to capacity, underscoring their popularity.

Several new arrivals made notable impacts, filling over 90% of their seats. Becky Shaw, in previews at Second Stage’s Hayes, garnered $243,674 across seven performances, with attendance reaching 93%. Meanwhile, Cats: The Jellicle Ball at the Broadhurst sold 98% of tickets during its final preview week, grossing nearly $862,000.

Death of a Salesman, starring Nathan Lane and Laurie Metcalf at the Winter Garden, showed strong interest at 96% capacity with nearly $929,000 earned in seven previews, ahead of its April 9 opening. Similarly, Titaníque at the St. James, with previews at 96% capacity, grossed over $664,000, preparing for its April 12 debut.

Other notable previews included Proof at the Booth Theatre, which sold out and earned over $726,000, opening on April 16, and Fallen Angels, a Noël Coward revival starring Rose Byrne and Kelli O’Hara, which grossed $452,017 in its previews at the Roundabout’s Todd Haimes Theatre, opening on April 19. Schmigadoon! had a single preview at the Nederlander, selling out with nearly $169,000 in revenue, opening April 20.

The comedy The Balusters at Manhattan Theatre Club’s Friedman Theatre brought in over $158,000 during six previews before opening on April 21. Beaches, the musical adaptation of the beloved film, grossed over half a million dollars during its preview at the Majestic, with a 74% capacity, opening April 22.

The Rocky Horror Show, with six previews at Studio 54, nearly sold out, grossing over $642,000 before its April 23 opening. Meanwhile, Joe Turner’s Come and Gone, directed by Debbie Allen and starring Taraji P. Henson and Cedric “The Entertainer,” began previews at the Barrymore, grossing nearly $993,000 at 84% capacity, opening April 25. Similarly, The Lost Boys at the Palace drew $831,513 over six previews with 98% attendance, opening April 26.

In a contrasting week, Matthew Morrison’s debut as Bobby Darin drew $745,152 from a full house at 99%, though ticket prices were significantly lower than during Jonathan Groff’s final shows. Chess, with a scheduled absence of Lea Michele, saw its gross decline by over half a million dollars, earning $585,803 at 66% capacity.

Other productions like Giant at the Music Box Theatre performed strongly, grossing over $1.17 million with near-full houses. The top earners remained the big franchises: The Lion King, Harry Potter and the Cursed Child, Hamilton, Wicked, and Aladdin, each grossing several million dollars during the week.

Overall, the 40 Broadway shows grossed approximately $43.24 million, a 12% increase from the previous week, with total attendance reaching about 334,600, up 14%. For the 45th week of the 2025-26 season, Broadway’s cumulative gross surpassed $1.63 billion, reflecting a 7% growth year-over-year, with over 12.2 million attendees.

All figures are provided by the Broadway League; for more detailed box office data, visit their official website.

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